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Featuring internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, an interchangeable sensor, and updated usability and body design, the 6K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
The 6K VENICE 2 uses the same sensor as the original VENICE, and it has a dual ISO range of 500/2500. The updated camera body allows you to swap the 6K sensor for an 8.6K sensor to gain a higher-base ISO and higher-resolution images, though the 6K sensor allows for higher frame rates. As with the original VENICE, the VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments.
Sensor
The VENICE 2 allows you to work in a color space, sensitivity, and resolution that you have become accustomed to, as it uses the same sensor as the original VENICE camera. This allows to seamlessly intercut the footage between the two, making for an obvious A/B camera setup. Plus, the optional 8.6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility.
Internal Recording
Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.
New VENICE 2 Functions
Functions from VENICE
Sensor
The sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space, which is larger than the DCI-P3 color space, enabling you to create stunning images with a camera that already exceeds future specs.
Full-Frame Sensor
In full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1 or large-format scope. A firmware upgrade and license are required for full-frame recording. It also supports Super35 for 17:9 or 16:9 images.
Built-In ND Filters
The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops). The servo control also greatly increases VENICE's flexibility when being controlled remotely on drones, cranes, or in underwater housings.
Dual-Base ISO Sensor
The 6K VENICE features dual-base ISO, which offers Base ISO2500 in addition to Base ISO500. The High Base ISO2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 5+ stops over to 10 stops under 18% Middle Gray, for a total of 15+ stops.
No Jello Effect
The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.
PL Mount
The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.
E-Mount
Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.
Providing a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don't have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range, but in its basic configuration it windows the sensor to shoot Super 35. The camera comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 72 fps.
Remove the PL Mount to reveal a Sony E-Mount with a locking outer ring that allows you to mount your lens and then rotate the ring to secure it, creating a strong mounting system that does not require you to rotate your E-Mount lens when mounting it to the camera. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments. The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera. It features dual SxS card slots that allow you to capture XAVC or HD ProRes in-camera.
Firmware 6.0 Update
Updating your camera to Firmware 6.0 adds the following functions and features:
Functions
Use Case
The VENICE is designed to start you off with a basic camera and, through firmware updates and licenses, upgrade it over time. This allows you to upgrade it as your needs grow, instead of having to buy a whole new camera system. Licenses can be permanent upgrades or used for limited periods of time, for those jobs that require more features than you normally use.
Sensor
The sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space—which is larger than the DCI-P3 color space—enabling you to create stunning images with a camera that already exceeds future specs.
Full-Frame Sensor
In full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1, or large format scope. A firmware upgrade and license are required for full-frame recording.
Fast Shutter
The VENICE features a high-speed readout that minimizes the dreaded "jello" camera effect that plagues some CMOS sensor cameras.
PL Mount
The VENICE comes with the industry-standard PL lens mount. It is compatible with all Super 35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.
E-Mount
Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount minimizing play. Rotating of the locking collar means that in most cases lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.
Recording
The VENICE records XAVC UHD 4K or HD ProRes internally to its SxS card slots. An optional AXS-R7 on-board recorder will enable 16-bit Raw and X-OCN recording to AXS cards with a future firmware update.
Key Features
Key Features
Key Features
Key Features
Key Features
Store your data in the 4TB 870 EVO SATA III 2.5" Internal SSD from Samsung for quick access. It features sequential read speeds of up to 560 MB/s and sequential write speeds of up to 530 MB/s, making it ideal for storing and rendering large format files such as 4K video and 3D data. Moreover, it has a 2.5" form factor, which is compatible with a wide range of notebooks and desktop computers, and utilizes the SATA III interface. Also featured is 4GB of LPDDR4 cache memory, an MKX controller, 1XXL V-NAND 3-bit MLC flash memory, an MTBF of 1.5 million hours, and an endurance of up to 2400TB. Protection is provided by a limited 5-year warranty, unless the max endurance rating is reached first.
General Features
The SSD All Star
The perfect choice for creators, IT professionals, or everyday users, the 870 EVO has indisputable performance, reliability, and compatibility built upon Samsung's pioneering technology.
Excellence In Performance
Everyday users can now enjoy professional-level SSD performance with the 870 EVO, which maximizes the SATA III interface limit to sequential read speeds of 560 MB/s and sequential write speeds of 530 MB/s, while also maintaining long-term high performance with a larger variable buffer that lets the SSD work faster and longer.
Reliability
Meet the demands of each task. From everyday computing to 8K video processing, with up to 2400 TBW under a 5-year limited warranty, plus a stable host experience, low lag with the 6th generation VNAND, and steady performance when multi-tasking with the powerful MKX controller.
Compatibility
The 870 EVO has been compatibility tested for major host systems and applications, including chipsets, motherboards, NAS, and video recording devices.
Upgrade with Ease
Using the 870 EVO SSD is as simple as plugging it into the standard 2.5" SATA form factor on your desktop or laptop, then the renewed migration software takes care of the rest.
Samsung Magician Software
Unlock the full potential of 870 EVO with Samsung Magician's advanced, yet intuitive optimization tools. Monitor drive health, optimize performance, protect valuable data, and receive important updates with Magician to ensure you're always getting the best performance out of your SSD.
Store your data in the 2TB 870 EVO SATA III 2.5" Internal SSD from Samsung for quick access. It features sequential read speeds of up to 560 MB/s and sequential write speeds of up to 530 MB/s, making it ideal for storing and rendering large format files such as 4K video and 3D data. Moreover, it has a 2.5" form factor, which is compatible with a wide range of notebooks and desktop computers, and utilizes the SATA III interface. Also featured is 4GB of LPDDR4 cache memory, an MKX controller, 1XXL V-NAND 3-bit MLC flash memory, an MTBF of 1.5 million hours, and an endurance of up to 2400TB. Protection is provided by a limited 5-year warranty, unless the max endurance rating is reached first.
General Features
The SSD All Star
The perfect choice for creators, IT professionals, or everyday users, the 870 EVO has indisputable performance, reliability, and compatibility built upon Samsung's pioneering technology.
Excellence In Performance
Everyday users can now enjoy professional-level SSD performance with the 870 EVO, which maximizes the SATA III interface limit to sequential read speeds of 560 MB/s and sequential write speeds of 530 MB/s, while also maintaining long-term high performance with a larger variable buffer that lets the SSD work faster and longer.
Reliability
Meet the demands of each task. From everyday computing to 8K video processing, with up to 2400 TBW under a 5-year limited warranty, plus a stable host experience, low lag with the 6th generation VNAND, and steady performance when multi-tasking with the powerful MKX controller.
Compatibility
The 870 EVO has been compatibility tested for major host systems and applications, including chipsets, motherboards, NAS, and video recording devices.
Upgrade with Ease
Using the 870 EVO SSD is as simple as plugging it into the standard 2.5" SATA form factor on your desktop or laptop, then the renewed migration software takes care of the rest.
Samsung Magician Software
Unlock the full potential of 870 EVO with Samsung Magician's advanced, yet intuitive optimization tools. Monitor drive health, optimize performance, protect valuable data, and receive important updates with Magician to ensure you're always getting the best performance out of your SSD.
Store your data in the 1TB 870 EVO SATA III 2.5" Internal SSD from Samsung for quick access. It features sequential read speeds of up to 560 MB/s and sequential write speeds of up to 530 MB/s, making it ideal for storing and rendering large format files such as 4K video and 3D data. Moreover, it has a 2.5" form factor, which is compatible with a wide range of notebooks and desktop computers, and utilizes the SATA III interface. Also featured is 4GB of LPDDR4 cache memory, an MKX controller, 1XXL V-NAND 3-bit MLC flash memory, an MTBF of 1.5 million hours, and an endurance of up to 2400TB. Protection is provided by a limited 5-year warranty, unless the max endurance rating is reached first.
General Features
The SSD All Star
The perfect choice for creators, IT professionals, or everyday users, the 870 EVO has indisputable performance, reliability, and compatibility built upon Samsung's pioneering technology.
Excellence In Performance
Everyday users can now enjoy professional-level SSD performance with the 870 EVO, which maximizes the SATA III interface limit to sequential read speeds of 560 MB/s and sequential write speeds of 530 MB/s, while also maintaining long-term high performance with a larger variable buffer that lets the SSD work faster and longer.
Reliability
Meet the demands of each task. From everyday computing to 8K video processing, with up to 2400 TBW under a 5-year limited warranty, plus a stable host experience, low lag with the 6th generation VNAND, and steady performance when multi-tasking with the powerful MKX controller.
Compatibility
The 870 EVO has been compatibility tested for major host systems and applications, including chipsets, motherboards, NAS, and video recording devices.
Upgrade with Ease
Using the 870 EVO SSD is as simple as plugging it into the standard 2.5" SATA form factor on your desktop or laptop, then the renewed migration software takes care of the rest.
Samsung Magician Software
Unlock the full potential of 870 EVO with Samsung Magician's advanced, yet intuitive optimization tools. Monitor drive health, optimize performance, protect valuable data, and receive important updates with Magician to ensure you're always getting the best performance out of your SSD.
The built-in extender expands the zoom range to 37.5 to 1500mm, creating a super telephoto lens. The optical image stabilization function uses Fuji's ceramic ball roller system to enable stable capture while compensating for vibrations in a venue, any operator shake, and windy conditions. Like its Fuji Premier series lens predecessors, the Duvo HZK 25-1000mm zoom offers optimal optical quality. Large-aperture aspherical elements and a fluorite lens help to eliminate ghosting, flares, and color fringing, producing high optical performance and natural images. Select features like auto ISO correction while aperture ramping, automatic chromatic aberration correction, and remote back focus are currently available only for the Sony HDC-F5500 camera.
Fast Maximum Aperture, Native PL Mount
This PL-mount lens features an f/2.8 maximum aperture which, when combined with a large-sensor, cine-style camera, brings beautiful bokeh and shallow-depth-of-field looks to live events while retaining the control functions of a box-style lens.
Impressive Focal Length Range
The Duvo HZK25-1000mm Box Zoom features a 25mm wide-angle view with an ultrahigh 40x zoom range up to 1000mm and an expanded 37-1500mm range using the built-in 1.5x extender.
Super35 and Full Frame Coverage
Super35 sensor coverage is provided at the 25-1000mm range and full-frame coverage is offered at 37.5-1500mm using the built-in 1.5x extender.
Image Stabilization
The optical image stabilization system uses Fujifilm's ceramic roller system to compensate for vibration, helping to maintain a stable image even while shooting in windy conditions and to eliminate footsteps and any shaky hand motions.
Breathing Compensation
The automatic breathing compensation corrects for breathing by keeping the zoom focal length synced with the focus.
f/2.8 Maximum Relative Aperture
This longer zoom maintains a maximum f/2.8 aperture from 25-465mm, ramping to f/5.0 at the 1000m telephoto end.
High Optical Performance
Sony HDC-F5500 Features
25 to 1000mm
With Extender: 37.5 to 1500mm
Built-In Extender
1.2x
Zoom Ratio
40x
Maximum Aperture
f/2.8 to 5
With Extender: f/4.2 to 7.5
Focus Type
Manual Focus, Servo
Iris Type
Manual, Servo
Filter Thread
M241 x 1 mm
Macro
No
Minimum Object Distance
11.5' / 3.5 m
Optical Image Stabilization
Yes
Dimensions
: x / x (ø x L)
Weight
61.7 lb / 28 kg
Key Features
Key Features
Key Features
he Laowa Ranger Full Frame Cine 3-Lens Kit from Venus Optics bundles three powerful yet compact zoom lenses into one comprehensive kit to give users maximum versatility in the field. Whether capturing wide-angle vistas, intimate scenes, or shooting wildlife, this kit has got you covered. Included in the kit is a 16-30mm lens, a 28-75mm lens, and a 75-180mm lens.
Venus Optics Laowa Ranger 16-30mm T2.9 Cine Zoom Lens (PL/EF)
A versatile addition to your full-frame ARRI PL or Canon EF mount camera loadout, this Laowa Ranger 16-30mm T2.9 Cine Zoom Lens from Venus Optics allows you to capture high-quality images throughout its 16 to 30mm zoom range. The parfocal design of the lens features 11 aperture blades in an 18-element and 22-group construction. It has an aperture range of T2.9 to T22 and an 80mm front outside diameter with minimal focus breathing. Capture everything from establishing wide shots to close-ups with background blur with the Laowa Ranger.
Control of focus, aperture, and zoom is intuitive thanks to the throw of each 0.8 MOD gear. Markings on the lens are available in both feet and meters. The lens has a 107° field of view at the wide end and a 71.6° field of view at the telephoto end with a 43.2mm image circle. An included EF bayonet adapts the native PL mount for compatibility with a broader range of cameras, while a 77mm front filter thread allows you to attach compatible lens filters. Additional back focus adjustment can be achieved with the provided shim set.
Features at a Glance
Key Features
Key Features
Features:
Features:
All the classic lengths available. Don’t Go Asking For Any New Lengths! You Only Drink Coke Classic.
The beltpack itself features six intercom channels and a separate “Reply” button for a quick reply to the last caller. Bolero’s sunlight readable and dimmable display can be rotated so that it is readable in any orientation. Also, in an industry first, the beltpack can be used without a headset like a walkie-talkie radio utilizing an integrated mic and speaker. Bolero beltpacks support Bluetooth, allowing either a Bluetooth headset or a Smartphone to be connected. When a Smartphone is connected, the beltpack can act like a car’s “hands free” setup so the user can receive calls on their phone and talk and listen via their beltpack headset. Users can also inject phone calls directly into the intercom channels, providing new levels of workflow flexibility.
Gonna Need A Bigger Belt!
2RU frame with up to 1024 ports
Control Panel; 28 keys; 19" / 2 RU
Maximum matrix size: 1024 x 1024
App-defined hardware: one hardware, multiple applications
App-defined hardware: one hardware, multiple applications
Desktop Control Panel; 16 keys
Lightweight Headsets
Choose from 4 Pin Female, 5 Pin Malel or now added 10 pin lemo for the new Hollyland H1 comms system. These all have eletric mics.
You get a speaker and a mic. Now go get em tiger.
Dual and Single over the ear aviation style headsets. Dynamic Microphones.
Choose from 4 Pin Female, 5 Pin Male and soon Hollyland 10 pin lemo. These headsets utilize TA5 connectors to the above ends. Just switch out the cable.
You get a speaker and a mic. Now go get em tiger.
Cyanview’s RCP is a multi-camera control panel that provides shading over most brands and types of cameras used in broadcast. Physical knobs and a touchscreen gives you instant access over most camera settings and allows for an effective matching of your cameras.
The integration with the routers or switchers brings a quick access to all your cameras from a single panel as there are no limits in the number of cameras supported. All Cyanview technologies are integrated together to offer a whole set of key functionalities: tally, wireless, wi-fi, remote production, pan-tilt heads and gimbals control, motorized lenses, etc.
To match your specialty cameras on top-tier productions or to shade your main ENG camcorders or D-Cinema, Cyanview’s RCP offers a major uptick in quality and efficiency, both for setup and operations.
The CyanView Cy-CI0 is a generic PoE (Power over Ethernet) camera interface module that solves the problems often associated with the use of specialized cameras: cabling, incompatible equipment and lack of connections.
Attached to or placed alongside the camera, the CyanView Cy-CI0 uses a single IP connection to power small cameras directly, as well as to control them with pre-fabricated cables using a variety of ports (RS232, RS422, RS485, LANC, TTL, DMX, etc.). The system has 2 outputs for controlling 2 cameras (same/different) on a Cy-CI0. It can also be used wirelessly via RF 433-900MHz/Wifi/3G or serial modems.
Future designs will include motorization for focus and iris on most C-Mount lenses, control of robot heads via Pelco, DMX, etc., and video over IP with light compression (TICO or VC2) remaining compatible with 16bps IP switchers
The Blackmagic Design ATEM Television Studio Pro 4K is a UHD 4K-compatible, 8-input live production switcher with an integrated control panel, suitable for broadcast, sports, web, and A/V productions. This versatile switcher's eight independent 12G-SDI inputs accept all popular HD and UHD signals up to 2160p60. A re-syncing feature on each input enables you to seamlessly use an amalgam of pro and consumer cameras, game consoles, and computer feeds.
Switch, add effects, color grade, and key in real time using the control surface's buttons, knobs, and slider. CCU functions are available for controlling Blackmagic Studio and URSA Mini/Broadcast/Micro Studio cameras from the switcher. A software-based control panel is included and may be used independently, or on multiple laptops for delegating multicamera control. The ATEM Advanced Chroma Keyer, with one upstream and two downstream keys, offers live graphics and virtual set creation with improved image control and spill correction. Create PiP effects, resize and scale live video, and choose from 17 powered transitions with the ATEM Television Studio Pro 4K'S DVE processor.
Multiview output is available for all eight channels, via HDMI or SDI, complete with tally, labeling, audio metering, and safe-area marking. A talkback function is available for director/operator communication with compatible cameras. The integrated Fairlight audio mixer features six-band parametric EQ, compression, limiting, and stereo simulation on analog and mic inputs. Mix solely from the panel, or use the multitrack interface on your Mac or Windows PC. Use the auxiliary output port to send your switched program or clean feed to a large-scale screen or other display.
Features
Simultaneously display, record, and live-stream your production, all with your PC, using vMix Live Production Software Pro. The Pro version of the vMix Live Production Software contains all the features available in the program and supports up to DCI and UHD 4K resolutions for sharp video imagery. Up to 1000 inputs are available and all inputs can be used for camera/NDI sources. The system is completely scalable, so you can use it for one-man shows or for a professional broadcast-grade situation.
Exclusive to the Pro version of the software is the ability to do instant replay on up to four cameras. Effectively, the camera feeds are recorded in the MPEG-2 format, and can be played back in real-time or with time manipulation. In addition, the Pro tier has other professional-level features such as support for 2 external outputs via interfaces and 2 full-screen outputs for direct graphics card output. Advanced scripting presets can be set up for speeding up your workflow, and PTZ controls can take control of studio cameras during your production.
Other powerful features of this software include video playback, audio mixing, chroma-keying, virtual sets, and more. See below for more features available with this software.
Versatile Input Selection
Simultaneous Streaming, Recording, and Output
13 Transition Effects
Four customizable transition buttons allow for easy access to your favorite effects:
Efficient Hardware Optimization
Hardware optimization reduces stress on the CPU, especially when dealing with multiple HD or 4K sources with simultaneous 3D effects
Desktop Sources
Built-In Title Templates
Video Delay / Instant Replay
Built-In Audio Mixer
Real-Time Video Effects
Multiview
Combine multiple inputs using the different multiview presets or customize the position of each element with the available zoom, pan, rotate, and crop controls
Four Overlay Channels
vMix includes four overlay channels in addition to the multiview feature; each overlay channel can have its own transition effect, position, and border
Remote Control
With an upgraded 19" 1920 x 1080 IPS touchscreen display and 1200 cd/m² brightness, the Atomos Sumo 19" SE HDR Monitor, Recorder, and Switcher maintains the same 4K recording, monitoring, and switching capabilities of its predecessor with a sharper and brighter display. Four 12G-SDI inputs and one HDMI 2.0 input can receive video signals up to 4K60 and support live quad-channel switching. Five-channel recording captures the input feeds as well as the live switching to create one output video for efficient viewing. Genlock and LTC timecode are also supported by the HDMI 2.0 and quad-SDI connections.
Intuitive Interface
The Sumo 19" SE can record in ProRes RAW and 8-bit+FRC 422 ProRes/DNxHR encoding formats. RAW, Log, PQ, and HLG outputs from various cameras or gaming consoles can be processed by the device and mapped to display 10+ stops of dynamic range HDR in real time. This makes the Sumo 19" SE ideal for monitoring in the field by the director or client. Two XLR inputs with +48V phantom power support balanced audio recording with external devices. Included desktop feet, mounting supplies, and various power supply options allow you to easily integrate the Sumo 19" SE into your studio setup.
SE Upgrades and Features
Live Quad-Channel HD Switching and Recording
Two XLR Inputs with Phantom Power
Powering the SE
The 7" Shogun Ultra Monitor-Recorder, the latest in the ATOMOS line of Shogun onboard camera video monitor-recorders, brings built-in network connectivity to your mirrorless, DSLR, and cine-style capture, enabling fast and productive workflows. Efficient cloud-based workflow options include dual ProRes RAW/H.265 recording for Camera to Cloud, automated matching file names with popular cine-style cameras, and 4K H.265 capture for instant publishing from the cloud. Partnering with industry-leading camera manufacturers ensures that the Shogun Ultra will work seamlessly with an increasingly wide range of cameras.
AtomOS 11
Complete Connectivity
NDI TX Option
Ultrabright Screen
Durable Build
The SmallHD 702 Touch 7" On-Camera Monitor features an IPS LCD panel with a resolution of 1920 x 1200. The IPS touchscreen provides a wide off-axis viewing experience without a significant shift in color or contrast. The panel also features a maximum brightness of 1500 cd/m², which makes it more than well suited for use outdoors. The panel displays images in 8-bits per color channel, but the monitor's internal processing is 10-bit. The touchscreen capability of the monitor facilitates using the SmallHD OS3 software package that allows you to create looks and save them as pages.
Interchangeable battery plates allow you to use the battery of your choice. However, the monitor ships with a dual L-series battery plate. The 702 Touch incorporates 3G-SDI and HDMI inputs and outputs, as well as a headphone jack for monitoring audio. It also has a store of monitoring features including waveform, custom LUT support, anamorphic de-squeeze, and audio meters.
OS3
OS3 offers the same intuitiveness of a graphical user interface (GUI), though with touchscreen navigation. Rather than have confusing menus, this GUI allows you to selectively apply monitoring tools such as waveform, vectorscope, and focusing aids to up to 12 different "pages". Using the touchscreen, swipe through different preset pages and toggle monitoring tools on or off with ease.
Monitoring Features
Monitor your shots in advanced quality and high style. The 502 is the size of a smartphone and packs a lot of punch. It features a 5" Full HD 1080p resolution display, 1500:1 contrast ratio, 3D LUT support, scopes, 179° viewing angle, and HDMI and SDI input and output in a compact, rubberized aluminum housing.
The DMON-QUAD from DECIMATOR is a compact 4-channel 3G-SDI multiviewer and multiplexer for use in studios, post houses, and other professional video applications. It supports a variety of resolutions and formats up to 1080p60 over SDI, and can arbitrarily mix formats and aspect ratios. The four SDI inputs can be output simultaneously over the HDMI or SDI outputs for a quad-view display. Tally information can be supplied via the RJ-45 connector.
The DECIMATOR MD-LX is a pocket-sized bidirectional converter featuring an HDMI input and output on one side, and 3G/HD/SD-SDI input and output on the other. It supports up to Full HD 1080p60 resolution and offers multiple input/output conversion modes.
Conversion Modes
Other Features
Super compact and rugged, the Micro Converter SDI to HDMI 3G from Blackmagic Design enables you to use HDMI-input monitors and televisions for production monitoring. This compact converter has one SD/HD/3G-SDI input, one HDMI output, and one SD/HD/3G-SDI loop output. It includes a 17-point 3D LUT that can be used to calibrate HDMI- or SDI-input monitors and it can output a LUT for viewing via the SDI loop output. The Micro Converter SDI to HDMI 3G also features automatic SD, HD, and Level A and B SDI detection and support for a wide range of pro broadcast resolutions including cine-style 48 fps.
This pocket-sized converter features a sturdy metal housing with power and signal LED status indicators and rugged connector interfaces. A USB Type-C port enables the SDI to HDMI 3G converter to easily connect to and be powered by large-screen monitors, laptops, desktop computers, or projectors. You can also power this converter using the included 100-240 VAC power supply, complete with four international socket adapters.
Features
HDMI & SDI Outputs
Compact, Rugged Design
3D LUT Support
Wider Resolution Support
Embedded Audio
LED Indicators
Versatile Power Options
Combining capabilities usually reserved for a computer-controlled converter, the DECIMATOR 12G-CROSS 4K HDMI/SDI Cross Converter with Scaling and Frame Rate Conversion is an independent device that features both HDMI and a 12G/3G/HD/SD-SDI input, and can cross-convert either signal to the other. It features a built-in scaler and frame rate converter, allowing you to convert the input signal to your required output standard in 3249 possible conversion combinations, and it supports 294 VESA formats via the HDMI input.
The 12G-CROSS features one HDMI 2.0 output and two pairs of 12G/3G/HD/SD-SDI outputs, controllable via 57 selectable conversion modes to fit your needs. This converter does not require a computer or DIP switches to control as it incorporates a small LCD screen for menu functions, and four buttons for control. It comes with a USB cable, a power supply, and features a threaded locking power socket to prevent accidental power loss during use.
57 Conversion Formats
The HDMI or SDI input can be scaled and/or frame-rate converted to the required standard.
Supports 294 VESA formats via the HDMI input
Four SD/HD/3G/12G-SDI outputs allow the converter to be used as a 1 to 4 distribution amplifier. SDI output pair 1 can either be a copy of the SDI input (default) or the same as pair 2.
The 12G-CROSS incorporates an LCD and button-controlled system. This gives you access to features that usually require a computer. Adjusting DIP switches or having access to a computer to change a simple setting are not needed.
The audio pairs in the SDI and HDMI outputs can be rearranged as required.
The unit incorporates a USB port for control and firmware updates.
Flexibility, compact form factor, and operation without a computer make the Decimator DMON-6S 6 Channel Multiviewer with HDMI & SDI Outputs a valuable tool on location and in the studio. The unit can be used as either a one to six-channel Multiviewer or as a six-to-one input multiplexer. It supports six independent SDI inputs with active loop-through outputs, or you can view all six inputs on one optional monitor. You can also Multiplex the 6 input signals, allowing you to transmit the six SDI signals over a single output. It supports audio embedded in the SDI stream and supports RS422/485 protocols that allow you to select tally display and control UMD (under monitor display) position and size.
The built-in LCD menu screen and control buttons, allows you to access menu functions without needing to connect to an external computer or utilize DIP switches for settings. The multiview output supports and displays inputs with different formats and frame rates at the same time, and the pass-through mode allows any of the six inputs to be selected for output via the SDI and HDMI outputs. you can select from premade display layouts or create and save your own custom layouts, and with up to 32 GPI, you can interface with optional devices for tally and remote switching.
Note:
Firmware Release 2.0.6 adds 3G-SDI Level B support for 1080p60/59.94/50 for this model, as well as the ability to set the SDI output to 3G level A or B and convert between level A and B.
The DMON-6S is a small form factor 3G/HD/SD-SDI 1 to 6-channel multiviewer or six-to-one input multiplexer/portable converter that incorporates an LCD and button control to set up and control the unit.
Featuring 16 independent 3G/HD/SD-SDI inputs, the DECIMATOR DMON-16S Multi-Viewer can be used either as a 1-to-16-channel multi-viewer or 16-to-1-input multiplexer supporting up to 1080p@60/59.94/50Hz on input and output. A miniature multi-viewer with front-panel LCD menu access, the DMON-16S is suitable for both on-location and studio applications, as you won't need to use a computer or DIP switch to make selections and adjust settings.
The DMON-16S offers 8-channel audio metering overlay per window with individual enables, custom positioning, and size, and it features 1 3G/HD/SD-SDI output and 1 HDMI output. RS-422 and RS-485 support additionally allow you to select tally display and control the UMD position and size.
Multi-View output mode lets you select and display inputs with different formats and frame rates at the same time, and Pass-Through mode allows any of the 16 inputs to be selected for output via the SDI and HDMI outputs. You can select from preset display layouts or create and save your own custom layouts, and with up to 32 GPI you can interface with additional devices for tally and remote switching.
Note:
Firmware Release 2.0.6 adds 3G-SDI Level B support for 1080p60/59.94/50 for this model, as well as the ability to set the SDI output to 3G level A or B and convert between level A and B.
Every day, visual storytellers in broadcast, news, sports, entertainment, house of worship and corporate communications work to elevate the ways they engage their viewers. Tools for creating, augmenting and branding footage are proliferating — and XPression puts them all at your fingertips.
As a comprehensive graphics solution, XPression equips operators with real-time motion graphics capabilities. Built from the ground up to be a 3D system, XPression also fully supports 2D workflows, and seamlessly composites real-time 3D animation with media assets from today’s hottest design applications.
Designed for the LS 60d and 60x LED lights, this Spotlight Mini Zoom from Aputure is a 2X optical projection lens. When mounted to the LS 60d or 60x, the combined fixture gives you the ability to completely redefine the shape of the light output by using the built-in shutters and drop-in iris. The Spotlight Mini Zoom also accepts m-size gobos. The 2X optical zoom lens can project a beam angle of 15 to 30° and provides a wide range of flexibility with a single tool. At a distance of 16.4' the Spotlight Mini Zoom can project an image circle of 4.6 to 9.2' depending on the zoom setting. The Spotlight Mini Zoom also pairs well with modern reflector technology, focusing the pin-point accuracy of the projection lens onto reflectors for unique lighting designs.
Key Features
Key Features
This 4×5.65 carbon fiber matte box is designed to clamp directly onto standard sized cinema lenses in order to be as lightweight and unobtrusive as possible.
It includes multiple lens adapter rings to fit most standard front diameters sizes.
French Flag included.
Sometimes Confused As Dumbos Fake Eyelash
Vehicle Specs
UHD-2 Truck Specs
● GMC T6500 cabover diesel
● 200 amp Cam-Lock shore power
● Generac diesel generator
● Shore power: 120-277 VAC, 2-pole, 3-wire (H-H-G)
● Length 35’ x width 7’ x height 14’
Production
● Ross Carbonite Ultra
● Ross 2S panel
Communications
● Coms panels at all positions
● 16 4W ties available
● Dante beltpacks available
Cameras
● Wired for 12 CCUs, includes Blackmagic URSA Broadcast G2 CCUs but others available upon request.
● Blackmagic Camera Control Panel, wired for 12 individual RCPs.
Camera Support
● Sachtler V20 tripods
● Vinten pedestals available
Lenses
● B4 and PL mount lenses available per project
Support Equipment
● Ross Ultrix FR2 router
● Blackmagic Videohub 40x40 12G router
● UHD video (baseband): 72x72
● UHD video (single mode fiber): 7x7
● Embed/de-embed: Dante embed/deembed on all inputs and outputs
● Elgato Stream Deck Studio control panels
Vehicle Specs
● Mercedes Sprinter 3500 170 extended diesel
● 60 amp Cam-Lock shore power.
● Shore power: 120 VAC, 3-pole, 4-wire. Actual draw 30 A per leg, 60 A total.
● Length 274.3” x width 80" x height 108.7"
Production
● Blackmagic ATEM Constellation 8K 4 M/E
● 2-stripe ATEM advanced 2ME control panel 20
Communications
● Studio Technologies Model 5422 32-channel Dante Intercom Engine
● 5x Glensound Beatrice Dante 4-channel coms panels
● 4x Studio Technologies 2-channel beltpacks
● 9 lightweight headsets
● 5 David Clark double muff headsets
● 3 David Clark single muff headsets
● Up to 32 4-wire ties
Cameras
● Wired for 8 Blackmagic URSA Broadcast G2 CCUs
● Up to 5x 7” Studio VFs
● Up to 3x handheld VFs
● Blackmagic Camera Control Panel
Camera Support
● Sachtler V20 tripods
● Vinten pedestals available
Lenses
● 4 Fujinon 16x 4K (LA16x8BRM-XB1A)
● 5 Fujinon 20x 4K (XA20SX8.5BERM)
● Cinema lenses available
Support Equipment
● Blackmagic Videohub 80x80 12G router
● UHD video (baseband): 80x80
● UHD video (single mode fiber): 4x4
● Embed/de-embed: 4x 12G SDI to/from Dante or MADI
● Elgato Stream Deck Studio control panels
● Monitors: 4x 31” Boland 4K HDR, 2x 32” Boland HD, Boland 16” HDR OLED
● 4 multiviewer heads, max 64 windows
Audio
● Midas M32C audio console with Dante interface
● Glensound DARK1616M Dante mic/line interface
● Yamaha Rio Dante interface (portable)
● 2 Genelec 8010
● Genelec 7040A sub
● 2 Genelec 8020
● Microphones dependent on project
● 32x32 analog audio IO; line, mic or AES3
Record and Playback
● Wired for 10 record/playback decks
● Blackmagic Hyperdeck Studio 4K decks
● vMix 4K server with 4 configurable inputs/outputs
● NewTek 3Play 3P1 4-channel replay with control surface
● 3 channel Xpression available*
● 2 ch** RTMP/SRT encoder
● vMix 4K encoder with 2 stream outputs
Networking
● Peplink Transit Duo bonded cellular router
● 4 Netgear M4250 series AV switches, PoE++ switches available
● Throw down gigabit media converters
Cables
● 5x 100M SMPTE
● 5x 150M SMPTE
● 1000 ft TAC12
● 500 ft TAC6
● 12G-SDI cable
● XLR cable and snakes
● CAT5e and CAT6 cable
Due to the nature of camera possibilities we bid job based on cameras, mounts, lenses etc. So anything listed above can be customized.